I read you loud and clear Bill, it's a certain corporate-culture mind set.
There is a camera obscura artist who does large one of a kind tintype exposures; There is a stone sculptor who showed at The Currier, maybe 10 years ago now, who uses an old wire/slurry saw and a slow rotating table to cut large ribbon-like elegant spirals from granite boulders; though their names escape me now, they still give me hope : )
Para1: there=the; Para2: on=one; Para3 that=then
Even more scary are WEF types like Yuval Harari and Claus Schwab who consider most of the global population to be useless eaters and hackable animals : 0
I see it as two parallel tracks. I have Apple Music, and one of the channels, I think it's Southern Country, under Americana, is like bursting with great songs, some by major artists, some you never heard of. So, this current is very healthy, and musicians are going to keep doing it, because they're driven to, and always will, but a lot of it exists unnoticed, you got to go discover it, like you and the granite spiral people. Which sounds amazing, by the way. The other thing, the media onslaught, which nothing can contain, is going on at the same time. That gets the exposure. On a side note, did you know that there's a theory about the Shroud of Turin, that it came from a camera obscura with a corpse in a timed exposure, the linen soaked in some chemical mixture? In any case, the blood splotches were painted on afterward, and didn't absorb the way blood would have on an actual shroud against a bleeding body, especially the sacred perpetually bleeding Jesus.
agree. AI needs to stay out of composing, but there are always cheaters who want to get into the tent. Music comes from the soul of dedicated musicians.
Well, at this point, AI is a reality that's going to be used like autotune is. People are going to use it. Anybody can use it, with zero talent or dedication. The problem becomes when it's indistinguishable from music made by dedicated musicians.
I read you loud and clear Bill, it's a certain corporate-culture mind set.
There is a camera obscura artist who does large one of a kind tintype exposures; There is a stone sculptor who showed at The Currier, maybe 10 years ago now, who uses an old wire/slurry saw and a slow rotating table to cut large ribbon-like elegant spirals from granite boulders; though their names escape me now, they still give me hope : )
Para1: there=the; Para2: on=one; Para3 that=then
Even more scary are WEF types like Yuval Harari and Claus Schwab who consider most of the global population to be useless eaters and hackable animals : 0
I see it as two parallel tracks. I have Apple Music, and one of the channels, I think it's Southern Country, under Americana, is like bursting with great songs, some by major artists, some you never heard of. So, this current is very healthy, and musicians are going to keep doing it, because they're driven to, and always will, but a lot of it exists unnoticed, you got to go discover it, like you and the granite spiral people. Which sounds amazing, by the way. The other thing, the media onslaught, which nothing can contain, is going on at the same time. That gets the exposure. On a side note, did you know that there's a theory about the Shroud of Turin, that it came from a camera obscura with a corpse in a timed exposure, the linen soaked in some chemical mixture? In any case, the blood splotches were painted on afterward, and didn't absorb the way blood would have on an actual shroud against a bleeding body, especially the sacred perpetually bleeding Jesus.
agree. AI needs to stay out of composing, but there are always cheaters who want to get into the tent. Music comes from the soul of dedicated musicians.
Well, at this point, AI is a reality that's going to be used like autotune is. People are going to use it. Anybody can use it, with zero talent or dedication. The problem becomes when it's indistinguishable from music made by dedicated musicians.